"Deadpool & Wolverine" marks the irreverent return for the Merc with a Mouth, played by Ryan Reynolds, alongside Hugh Jackman's Wolverine. The film opens with Deadpool's self-aware jab at Disney, setting the tone for a movie that's as much a commentary on its own existence as it is a MCU film. The narrative kicks off with Deadpool thrust into a silly, timeline traveling adventure.
The film retains the trademark humor of the previous Deadpool entries, filled with fourth-wall breaks, meta-commentary, and a plethora of jokes aimed at the superhero genre and the MCU itself. Director Shawn Levy brings a hightened focus on comedic timing, giving the film a Zucker brothers energer to it at time. This is a welcomed change from Deadpool 2's more action-focused filmmaking. Deadpool and Wolverine are brought together by the multiverse's narrative flexibility, a concept that allows for the resurrection of characters and the crossing of timelines.
The plot revolves around Deadpool's quest to save his timeline from destruction, a mission given to him by the cosmic bureaucrat Mr. Paradox (played by Matthew Macfadyan). Deadpool seeks out Wolverine, despite the character's canonical death in "Logan," navigating various timelines to find a version of the clawed mutant who can help him. Jackman's Wolverine provides a stoic counterpoint to Reynolds' quippy Deadpool, with Jackman playing his role with a level of seriousness that contrasts humorously with Deadpool's antics. If you are like me and get a bit tired of Reynolds' schtick, the balance here is refreshing. This setup leads to numerous opportunities for cameos, Easter eggs, and references, making the movie a treasure trove for fans familiar with the broader Marvel universe. Those cameos however aren't merely "look who it is" moments. There is a sweetness to why the film brings back certain characters. It is generous in a way few films with so many cameos are.
The movie's action sequences, particularly its two or three major set pieces, are bloody and over-the-top, reminiscent of the "John Wick" series or the show "The Boys." These scenes are likely to divide audiences; some may find the violence too extreme or tasteless, while others may enjoy the spectacle and absurdity. The film's treatment of death, given the multiverse context, renders it somewhat inconsequential, so I found these scenes bloody fun. Levy isn't the strongest action director but he knows how to land a punchline in the midst of some over-the-top moments.
While "Deadpool & Wolverine" works as a silly, absurd comedy, the story lacks any stakes the viewer can deeply invest in. I found this a pleasant surprise given the increasing labrynthian nature of the MCU. The constant breaking of the fourth wall and the film's self-referential nature undermine any potential for dramatic tension or emotional engagement. It's a movie more concerned with being clever and entertaining than with telling a meaningful story.
Reynolds and Jackman's performances are highlights, with their on-screen chemistry providing much of the film's charm. Reynolds continues to make Deadpool synonymous with his career, while Jackman's Wolverine is as compelling as ever, even in a comedic context. The supporting cast, including Emma Corrin as the villain Cassandra Nova and Rob Delaney as Deadpool's friend Peter, add to the film's ensemble dynamic.
In the end, "Deadpool & Wolverine" is a mixed but really fun bag. It's a film that revels in its own absurdity and is unafraid to poke fun at the very universe it inhabits. For die-hard fans of the characters and the MCU, it offers plenty of laughs and nostalgic moments. However, for those looking for a more substantial narrative or who are weary of the superhero genre's self-referential trends, it may fall short. The film is best when it feels like a commentary on the state of the MCU and the entertainment industry, using humor to critique the endless cycle of sequels and reboots that dominate Hollywood. It's a fun, if somewhat exhausting, ride that showcases the unique appeal of its leading duo.
3.5/5
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