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Writer's pictureMatthew G. Robinson

Review: Kneecap



Kneecap is an audacious, unapologetically rude and spirited film that tells the origin story of the eponymous Irish-language hip-hop group. Directed by Rich Peppiatt, the film deftly blends humor and cultural commentary, creating a fun, angry, and uneven cinematic experience.


The film's narrative centers on the trio from Belfast: Naoise Ó Cairealláin, Liam Óg Ó Hannaidh, and JJ Ó Dochartaigh, who play themselves. This choice of casting lends an authentic, raw energy to the film, capturing the essence of the real Kneecap's rise to fame. It also leads to a few weak emotional beats but that hardly matters as the film's pacing is wicked quick. The story kicks off with a humorous twist on the traditional "You Might Be Wondering How I Got Here" trope, setting the tone for a movie that refuses to conform to conventional expectations. Sprinkled throughout the film are drug-fueled hallucinations, music video-esque sequences and some animations.


Central to the film is the cultural and linguistic struggle faced by the Irish-speaking minority in Northern Ireland. The trio’s decision to rap exclusively in Irish Gaelic is both a form of cultural preservation and a defiant act of resistance against historical suppression. The film doesn't shy away from addressing the political context, including the legacy of the Troubles and the ongoing tensions between different cultural groups. However, Peppiatt's approach is refreshingly irreverent, avoiding heavy-handed moralizing in favor of a more nuanced exploration of identity and resistance.


Michael Fassbender's portrayal of Arlo, Naoise’s father, adds a layer of complexity to the narrative. Arlo is a former IRA member whose idealism and activism contrast sharply with the younger generation's more chaotic and rebellious energy. While Fassbender delivers a strong performance, his character sometimes feels out of sync with the film’s overall tone, as if he were a figure from a different story altogether. Structually, the script struggles to fit him in properly. This dissonance, however, underscores the generational and ideological divides explored in the film.


Kneecap is not just a story of cultural struggle; it’s also a celebration of the absurd and the rebellious. The film's humor, which ranges from dark to outright outrageous, is reminiscent of Trainspotting. The trio's antics—whether it's DJ Próvaí’s anti-British slogans or their drug-fueled escapades—are portrayed with a blend of comedic flair and social commentary. This approach keeps the film lively and engaging, even as it tackles serious themes. The story does have some clunky moments and scenes can feel disconnected from what came before and what follows. It is the film's energy that carries it along. The inclusion of certain subplots, particularly involving Arlo and his strained relationship with Naoise’s mother, Dolores, can feel disconnected from the main narrative. These moments, while poignant, occasionally disrupt the film’s otherwise cohesive flow.


Kneecap is a bold, brash film that captures the essence of a unique cultural movement. It’s a story about finding one’s voice—literally and metaphorically—and the power of language and art in asserting identity. For those willing to embrace its irreverence and raw energy, The film offers a wildly entertaining and thought-provoking ride. It’s not a film for everyone, but for those who appreciate its unapologetic approach, it’s an exhilarating experience that lingers long after the credits roll.


3.5/5

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